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Perception

(January 1 – March 31, 2026)

J Pat Marse

Cooks Garage

Roberto Mancuso

Crossing

cross between via Lomellina and via Sismondi - Milan city - Italy

March 29th, 2026 - 17,50 local time (16,50 UTC)

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© 2026 Roberto Mancuso, All Rights Reserved.

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Caption

Not knowing how to write as well as GPT, I used that agent to make it a more pleasant read: having received two types of text, both appealing, I decided to include both and let the reader choose which one suits their taste best.

Poetic version
At the crossroads of silent streets, where two paths embrace at right angles, this panorama whispers an eternal secret. There is no horizon that closes the roads, nor end that reveals the destiny of each journey. The eye wanders freely in every direction, captured by the infinite possible, yet suspended in the uncertainty of the next step.

Here time stops, not by chance but by choice: an instant stolen from the eternal flow, where the photographer grants the observer the privilege of inhabiting the crossroads – that fertile limbo of every life. Every road is an unfulfilled promise, every direction an invitation to mystery. Like us, suspended between minutes that become choices, we are called to move through the invisible, trusting the heart more than the map.

Artistic/critical version
This spherical panorama, conceived as a deliberate space of disorientation, positions the observer at the geometric center of an urban intersection where two road axes cross at 90°. The composition rejects any conclusive perspective: in every direction the gaze encounters only open continuations, devoid of definitive vanishing points, creating a spatial suspension that amplifies the metaphorical condition of the crossroads.

The photographic device operates here as a situational choice – it captures neither the moment before nor the one after, but establishes a precise now that the observer is forced to inhabit. The intersection becomes an allegory of life's choices: every hour, every minute places us before paths without visible horizons, where decision precedes knowledge of the outcome. The spherical photograph, far from offering completeness, reveals its intimate limitation – the photographic moment as a new Platonic cave, whose boundaries are dictated by the photographer's gesture itself.

Equipment

kandao 3 ultra, small pole, ptgui, pano2vr, photoshop

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